What, March already?

It appears that I have managed to leave this spot without updates for over four months, which is a long time even for a sporadic blogger like me. I’ve been busy with various writing projects, life outside of writing has required frequent tending, and most of my brain bandwidth has gone to addressing those requirements. 

That said, I think I need to curtail my already limited social media presence even further and return my focus to updating just one spot instead of spreading my public presence across four or five different ones. To that end (and because I have bills to pay like everyone else), I am considering moving my updates to Patreon. I’d still keep the general blog updates free, of course, but I’d be posting more regularly, and I’d have an outlet to release short fiction as subscriber exclusives before I put them on the Kindle for general consumption. There could even be a tier where folks can get signed books every now and then with their subscriptions, which would be a good way for me to distribute the author copies I’m drowning in every time a new book comes out.

(Long-time readers will know that I usually do the free book giveaways, but those have started to become unsustainable for various reasons—shipping is getting more expensive, shipments keep getting returned to me unclaimed, and international readers have on occasion refused to pay customs duties and left me sitting on a $20 personalized book I can’t reuse and $25 international shipping costs I’ve spent out of my own pocket.)

Anyway—what’s the general consensus on an All Things Marko Kloos Patreon with a free updates tier and some nice perks for paid subscriptions? And what kind of content would you want to see other than the exclusive short fiction first reads I already mentioned? Looking forward to your comments below.

As far as work goes, I am back on Palladium Wars #5, and that one will be finished this month come hell or high water, to be available at some point in April once it’s been edited, formatted, and hammered into shape for Kindle and paperback formats. I’m having to do an indie release because 47North didn’t want to continue the series and let me finish it, and nobody else is going to commit to the fifth book in a series if they don’t already have the other four in their stable. But as I am not willing to keep the readers hanging and leave a five-year-plus project unfinished, the fifth book will be finished and released before I get started on the next thing.

Bug fixes for ECHOES OF SILENCE

I spent some time today uploading corrected Kindle and paperback files for ECHOES OF SILENCE. A frequent criticism of the paperback was the size of the print, which left too much white space on the page. On the Kindle version, there was no table of contents. Both of these issues are hopefully fixed now–owners of the Kindle edition should get the new version uploaded automatically. I’ll have them send me a proof print for the paperback version to make sure it looks correct now.

 

 

Scammers, scammers everywhere

Since it has come up in comments:

I’ve recently been made aware that there are people out there pretending to be me and DM-ing or emailing readers with “hey, let’s talk” messages.

I don’t message or email people out of the blue, ever. If you get an unsolicited message from me you didn’t expect, it’s 100% a scam. Someone is trying to sell you VIP fan access, or editing or review services, or something else that’s shady and fraudulent.

I’ve also been told that people are trying to sell their editing services by using me as a reference, complete with fake endorsement email. I do not endorse any product or service for anyone. I will sometimes blurb a novel, but I am highly selective about that, and those blurbs are always a.) solicited by the author’s agent or publisher, and b.) done for free as a favor.

I have no time at all for running a developmental editing service on the side, I do not offer blurbs unasked, I don’t charge anyone for reviews or pay for them, and I do not have a fan club, whether with or without a VIP tier. My only public-facing web presence is this blog and my Instagram and Bluesky accounts. My only public email is marko.kloos@gmail.com. If you get an email from any other address or any direct message on social media purporting to be from me, it’s a scam.

Social media stuff

After my long social media hiatus before the pandemic, I gradually reintruduced measured amounts of it back into my routine. I’ve had a new Instagram account for a few years now, and I post on Bluesky and Threads. Bluesky has become my favorite, and I am not thrilled with Meta’s policies, so I think I’ll throttle back my use of Threads and Insta and just stay active on Bluesky (I’m @markokloos.bsky.social).

As for the picture updates via Instagram—I suppose if I am going to create free content for anyone, it might as well be for my own site instead of Zuckerberg’s algorithm and pockets. It’s a good excuse to update the blog more frequently.

Not a sponsored post (but I’m available for endorsements)

After five and a half years of steadfast and reliable service, I semi-retired The Beast, a 17″ Alienware laptop. I replaced it with…another 17″ Alienware laptop.

The Beast served me so well that I decided to go the same route for its replacement. I stuck with the same brand and screen size, picked a model I liked, and moved the configuration sliders for the hardware options all the way to the right for almost every component. I’m hoping that this system will last as long as the old one, which is still trucking along and now serving as a spare gaming rig for the kids in case one of theirs goes out of commission.

The new one is much faster than the old model and over two pounds lighter. But the killer feature for me is the mechanical keyboard they managed to squeeze into the laptop chassis, ultra-low profile Cherry switches. It’s a $100 upgrade from the regular keyboard, but let me tell you that it’s OH SO WORTH IT. It makes every other laptop keyboard I’ve ever typed on feel like mushy garbage. It’s firm and tactile and very clicky, and I want this keyboard on every laptop from now on.

(Keyboards are an important component when you’re in the business of typing a quarter million words or more a year.)

 

Work in progress status update

The edits for SCORPIO are done, and I’ve started work on DESCENT, Palladium Wars #4. My plan is to turn in the draft by the end of July for a release in the first half of next year.

I installed a progress bar widget for WordPress, so now you can all follow along as I write the draft. The progress bar is in the sidebar to the right, on top of all the other widgets, and I’ll update it daily with the current word count.

Johanna, please pick up the red courtesy phone

Johanna S.,

please contact me via email. Your signed copy of CITADEL got returned to me as undeliverable, and I’ll need a good address from you if you still want to claim your giveaway copy. Thanks!

Wiktory

Inbox Zero on all three of my email accounts–a small triumph, but I feel a sense of accomplishment nonetheless.

WordPress will remain my only form of public social communication from here on out because it’s non-intrusive, and I can check it on my own schedule without getting bombarded with comment notifications. I’ve enabled blog comments again–some of you have left comments on my About page, and that’s not a spot I usually check for messages, so feel free to comment on the individual posts. But don’t get upset if I don’t reply right away because I only check WordPress a few times a week at best.

And nobody send me any email to screw up my Inbox Zero zen right now, or I’ll subscribe you to all kinds of interesting email lists.

Life after FaceTwitStagram

A little over a month ago, I pulled the plug on all my remaining social media accounts and went full-on cold turkey on everything. And by “cold turkey”, I mean that I didn’t leave myself the option of reactivating those accounts. Twitter and Facebook make it intentionally hard to leave the service altogether, for obvious reasons, and they instead suggest you just let your account sit dormant until you come to your senses. (Facebook also tries to put a guilt trip on you by letting you know how VERY MUCH your friends are going to miss you.)

So the accounts are gone. In the process, I lost a few hundred Facebook friends and about 6,000 Twitter followers. And you know what happened to my professional and personal relationships?

Not a damn thing.

The people who were in touch with me before are still in touch with me. They have my phone number and my private email address. I did not disappear like Marty McFly in the photograph just because I am no longer on social media. I have no doubt that I’ll miss out on a few things—Twitter in particular was useful for the occasional coordination of meet-ups and social events with colleagues—but I think that the negative impact of social media on my ability to focus vastly outweighed the networking benefits.

And I have to tell you that the absence of social media has had a major positive effect in my life. I didn’t even realize just how pervasive that low-level background din of constant information and compulsive cycling through feeds had become until it was no longer there. I’m more relaxed, more productive, and better able to concentrate for long periods of time. And I am unaware of the Outrage of the Day, which means my mood and anxiety levels have improved greatly. It’s to the point where I don’t even check news feeds anymore beyond a quick headline skimming. I’ll tune in to NPR on the way to the grocery store, and that does the trick of keeping me generally informed without subjecting myself to the information barrage of online news sites. Maybe sometimes ignorance really is bliss.

It’s strange how the first few days after social media feel like kicking an addiction. I found myself reaching for my phone more than once to snap pictures for my Instagram feed, and that urge only subsided after a week or two. But now, the idea of stopping my day for a minute to post something for likes or comments has no appeal anymore. There’s a reason why the social media engineers make their products intentionally addictive—they make money every time someone pulls down on their feed to refresh it. (Even the very motion used to refresh is a slot machine kinetic, and that’s exactly what Twitter and Facebook have become. They’re not information or quality social connection, they’re slot machines in our pockets, and the people who put them there are the ones who get the payout.)

I’m not saying that everyone needs to get off social media, but I think that more people should consider it, especially those of us in the creative field. Writing requires long periods of unbroken concentration, and Twitter and Facebook are explicitly designed to claim attention as much as possible. I’m pretty sure that if I had ditched social media two years ago, I’d have two or three more novels in my backlist, and the ones I did manage to write would have turned out better than they did with social media in the picture.

Writing and the Internet

I have to come to realize that over the last few years, the Internet has had a profoundly corrosive effect on my professional output and occasionally even my emotional health.

This effect has been especially severe in two areas: social media and email, both of which basically constituted my consent to being easily and directly available to contact by anyone with an Internet connection. In Twitter’s case, that contact has also been fully public, which means that anyone with a Twitter account has been able to see and share any conversation I’ve had with people outside of direct messages.

As of today, I am withdrawing that consent by getting off social media and curtailing my availability via email.

Late last year, I got so tired of the constant necessity to curate my Facebook feed and the drama resulting from pruning my Friends list that I pulled the plug for good and deleted my account. In the seven months since then, I have not missed it, and beyond a few concerned messages from long-time Facebook acquaintances, my absence has been inconsequential to the world and a lot less aggravation and anxiety in my life. Last night, I deleted my Twitter account as well, for slightly different reasons that boil down to the strong feeling that it will have a similar life-improving consequence.

My Twitter account shows that I’ve posted over 20,000 Tweets over the last 11 years. Even allowing for the old 180-character limit, that’s three or four novels’ worth of words I’ve put out there for free, much of it to entertain people who don’t know me personally, and who mostly won’t notice my departure. Twitter, like Facebook before it, has been a useful tool to stay in touch with colleagues in an easy way, a digital watercooler I was visiting during the day to take breaks. But I can’t count the number of times something in my feed made me angry, upset, or anxious. We all have different ways to deal with these emotions. My wife, for example, will get mad at something and then forget all about it within five minutes and move on with her day. I’m the type whose anger or anxiety will simmer for a good while, affecting the rest of my day. To put it bluntly: I can no longer allow anyone with a smartphone and a data plan the potential ability to darken my day or interrupt my work by trying to pick an argument or fill my Twitter feed with aggravating stuff. Most emails and Twitter interactions with fans have been fun and positive, but there have been exceptions. And even the well-meaning emails from happy readers take a slice out of my writing time.

In addition to the emotional effects, social media and its constant attention-seeking stream of pop-ups and notifications are constantly threatening my productivity. Social media has been a great tool for me to have fun and make new contacts, but on the whole, I have accepted that it is also a distraction and a major impediment to my ability to focus.

There is research out there that shows the deep focus necessary to produce creative work is easily interruptible, and once broken, it takes on average ten to twenty minutes for the brain to re-engage with the work fully and get back into that deep focus. That means every time I looked at an incoming email notification or checked Twitter or Instagram, I basically put the brakes on the work in front of me. Half a dozen interruptions during my productive work time will fragment it to the point where I struggle to get anything down onto the page. When I don’t get my word count in for the day, I get anxious, and the sort of anxiety that results from feeling unproductive has a cumulative effect for me. One ruined work day can easily snowball into a ruined work week, and a few months down the road, a blown deadline (and let’s not even mention the sort of anxiety caused by that, because there’s actual household-sustaining money attached to that deadline.)

I know that this will upset people who have enjoyed the ability to get in touch with me easily. But if I engage in Twitter banter and email exchanges all day long, my productive output will slow down to a trickle. A very smart friend of mine once taught me an important lesson about finances and time, and that is that your only finite resource is your time. You can always make more money, but you cannot create more time. I’ve already been in the habit of exchanging my money for more time–paying someone else to mow my lawn or plow and shovel snow instead of having to do it myself, for example–and this is just further safeguarding of my remaining time. I am less than three years away from 50, and if I don’t watch out, I’ll be pushing 60 and realizing that I spent three quarters of my creative time doing little creative work.

Going forward, I will only check my email in the afternoons and evenings, when my productive time is over, and I will only reply to emails that absolutely require a response. That means messages from my agent and editors, close friends and colleagues, and people that have an ongoing business or collaboration relationship with me. People who need to reach me directly and immediately are few and far between, and all of them have the number to my personal phone and the ability to send me a text message. If you have a professional request and need to contact me, please direct your inquiry to my agent Evan Gregory at agent@ethanellenberg.com. But be advised that going forward, I will have to be highly selective about doing book blurbs or attending conventions (which tend to take a full week out of my productive time because I can’t work at conventions or while traveling.)

I really appreciate all the fan mail and social media messages I have received over the years, but I simply cannot take the time to keep reading them all, much less replying, or I will be doing that all day instead of writing novels. (And much of the fan mail I have received can be summed up as “Love your work, when is the next book coming out?” I’m sure everyone involved will be much happier if I get the books out faster instead of responding to emails more quickly. Even a form “thank you” response takes a minute out of my day and fifteen minutes out of my focus.)

Some of you may have read Neal Stephenson’s policy on this subject, and if this reads a lot like what he had to say far more eloquently a few years ago, I can only say that he’s a smarter man than I am, and that he has come to the same conclusion much earlier than I did. But I am–thankfully–still able to learn, and willing to adjust my habits.

I will still update this blog, but only when I have something of value to say, and I will no longer enable comments. Please do not feel slighted. It will hopefully result in a better and more productive writing output, which will make me–and hopefully my readers–happier in the long run than the dopamine ping of a “liked” Tweet or a comment reply. And I hope you will understand why I have to take these measures to safeguard my creative time and ensure I can keep writing novels for your enjoyment.